Gary Brown
See also: www.arts.ucsb.edu/faculty/brown
Margaretha Louwers
See also: www.margarethalouwers.nl
A draughtswoman ‘pur sang’. Literally, of the purest blood.
Strangely enough this translates into Dutch as ‘of the purest water’.
The difference between passion and polder. One language isn’t another.
The same goes for signs. I see what you don’t see, and the other
way around.
Stephan Goudriaan
See
also: www.open.ou.nl
Depicted here is ‘portrait in ink, synthetic fiber, glass and mirror
glass’. Stephan has been fascinated for years by the possibilities
of photography. Besides working and studying these last few years, he
has been working on a graphic language of his own. From 1997 on he focuses
completely on his work as a photographer. In his own words, he goes about
intuitively as well as experimentally. In his portraits, like so many
photographers, he tries to show a facet of a person’s inner life.
His abstract photographs are somewhat more surprising, their graphic language
is mysterious, unfathomable in a pleasant way.
Roland Berger
See also: www.kunstbehandlung.de
Depicted here is ‘Reverenz vor Max Bill’ (color lino-cut,
40 x 40 cm, 1998).
Prof. Dr. Roland Berger (1942) taught for years at the Humboldt University
in Berlin. At the moment he is established in the small town of Hohen
Neuendorf in the neighborhood of Berlin as a free artist and independent
publisher of graphic portfolios.
Juliette van de Walle
See also: www.artolive.com
Depicted here is ‘The Scissors’ (mixed technique). Juliette
makes toys for the eye and the head. And sometimes you may even touch
them…In her work mundane objects and materials that are-sometimes
literally-found on the streets are used to concentrate the theme of movement-or,
adversely, the lack of it- into an essence, a philosophical notion.
Peter Bartels
See also: www.peter-bartels.nl
Depicted here is ‘Runner 1’ (pastel, 70 x 100 cm, 1999).
Peter has exhibited work before in Villa Lila. A series of figurative
art works that originated in reaction to the AIDS crisis, and paintings
inspired by Australian aboriginal art and that of the Papua-people the
Asmat. Over the years Peter’s work has become more expressionistic
and abstract.
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